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Olive Kitteridge. Drama Available on NOW, iTunes. An outspoken middle school teacher lives with and her husband and son in a coastal town. A middle-school math teacher Olive and her marriage with Henry which spans 25 years. Watch Olive Kitteridge - English Drama TV Series on. Olive Kitteridge: With Frances McDormand, Richard Jenkins, Ann Dowd, Ken Cheeseman. A middle-school math teacher Olive and her marriage with Henry which. 2BIC LET IT GO MP3 TORRENT Start the server. Can be easily configured by "Disable to it to. Lightweight, small program can be enhanced to a session. Choice for storing not wish to.

Democratic Republi Federated States o Republic of North It is free and clean, works under Windows. Olive Kitteridge subtitles on new OpenSubtitles. Subtitle details. Download beta Download. Use OpenSubtitles Download Manager. Guide how to watch movie with subtitles. Comment log-in to post comments. Movie details Movie Rating: 8. Her son Christopher isn't happy though. Henry goes on a hunting trip that concludes with a tragedy.

Writer credits: Elizabeth Strout Jane Anderson. Freeman Ann Dowd John T. Mullen John Gallagher Jr. Genre: Drama. Language: English. If you want to be pernament logged-in, check in form remember me. Username: Password: remember me. Select Select sub srt txt ssa smi mpl tmp vtt dfxp.

Select Today 1 day ago 7 days ago 15 days ago 1 month ago 6 months ago 1 year ago. Olive Kitteridge - 01x01 - Pharmacy. All subtitles for this movie in this language. SerahRose Roth Mrs. Manhattan as Mrs. Nancy E. Carroll Lois Granger as Lois Granger. Patrick French Mr. Manhattan as Mr. Marianna Bassham Penny as Penny. More like this. Storyline Edit. Did you know Edit.

Trivia Frances McDormand bought the rights of the novel years before she could make it into anything. Her involvement extended to the point of hiring writer Jane Anderson , director Lisa Cholodenko and co-star Richard Jenkins. Connections Featured in 72nd Golden Globe Awards User reviews 60 Review. Top review. Simple story brilliantly told.

I've just read some of the negative reviews about Olive Ketteridge. I thought it was obvious what we were getting into in the first 30 minutes of this brilliant mini series. Yes it's a bit downbeat. But Olive Ketteridge is about real people and real situations, and let's face it it reflects certain areas of real life. I think we've all known characters like the ones portrayed in Olive Ketteridge.

All the performances are spot on. Plus there are many areas of Olive Ketteridge that made this viewer smile. So I don't see the negativity. Maybe the negative reviews come from people who wanted to see a Deloris Claybourne or a True Detctive. Olive Ketteridge is about love, loss and what ifs, and that's about it.. But it's told so well that one almost forgets that the story's so simple. Details Edit. Release date November 2, United States.

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Your mother taught you that! Pauline was the only real Christian in the world, as far as Pauline was concerned. And her good boy, Henry. In one story, she met an anorexic girl who quite unexpectedly brought Olive to tears. Her empathy seemed to grow with her own later-in-life self-awareness. Sometimes, like now, Olive had a sense of just how desperately hard every person in the world was working to get what they needed.

For most, it was a sense of safety, in the sea of terror that life increasingly became. But […] it was never enough, was it? Olive was a fascinating character with traits that occasionally seemed at odds with one another. I could go on a lot longer identifying her quirks, but that would be very un-Strout-like of me do so. We get our impressions of each person with a wonderful economy of words. One thing they share is something Strout talked about afterwards: In order to imagine what it feels like to be another person I have to use my own experiences and responses to the world.

I have to pay attention to what I have felt and observed, then push these responses to an extreme while keeping the story within the realm of being psychologically and emotionally true. The feeling that her characters were human and real came through on every page. I came to really appreciate the structure of the book that had so many perspectives and viewing angles. Half an hour into the book I told my wife this seemed like a 3. Half an hour later, with more tiles in place, I told her it was a 4.

Family dynamics feature prominently. And as Olive and the others come to learn more of themselves, we may learn more of ourselves as well. View all 49 comments. Jan 22, Jen rated it it was amazing Shelves: own , 5-star-favourites.

Oh Olive. You are a character I despise and love at the same time. A negative nily who somehow embeds herself into my heart. Maybe because you are so real. And transparent. I was delighted to find this one so easy to embrace and I became fully immersed in this charming story that takes place in a small town.

Through the 12 lives of what the story is about, the common thread is Olive. She reeks negativity and bit Oh Olive. She reeks negativity and bitterness. But, when her husband has a stroke, she becomes more self aware and begins to shed this animosity and through resiliency is able to find comfort again.

A very memorable character. Need to get to the sequel ASAP! View all 58 comments. The second best is Olive Kitteridge by Elizabeth Strout. Published in and winner of the Pulitzer Prize for Fiction, this collection of thirteen stories all feature or focus on a retired seventh grade math teacher in the fictional seaside town of Crosby, Maine as she enters the winter of her life, still in possession of the vinegar her former students or fellow townsfolk have tasted for years.

Like Steinbeck, Strout's canvas is big and her work is bold, infused with subtle wit and passion, and is undiluted by commercial considerations while in the pursuit of emotional honesty. This novel made me think about my life, particularly my relationship with my Olive-like mother. In the first chapter, simply labeled "Pharmacy," Strout opens us to the life of Henry Kitteridge, a mild-mannered man who likes people, doesn't like to hear from cursing and never misses church or a civic activity.

Henry hires a bright newlywed named Denise Thibodeau to help around the pharmacy. Denise's husband is also named Henry and Henry Kitteridge's year with the young couple is one of the happiest in his life, if not the happiest. Like most things, it doesn't last. He passes by where the pharmacy used to be. In its place now is a large chain drugstore with huge glass sliding doors, covering the ground where both the old pharmacy and grocery store stood, large enough so that the back parking lot where Henry would linger with Denise by the dumpster at the day's end before getting into their separate cars--all this is now taken over by a store that sells not only drugs, but huge rolls of paper towels and boxes of all sizes of garbage bags.

Even plates and mugs can be bought here, spatulas, cat food. The trees off to the side have been cut down to make a parking lot. You get used to things, he thinks, without getting used to things. In the fourth chapter, "A Little Burst," Olive Kitteridge marries off her only child, Christopher, a sensitive boy who grows up to be a podiatrist.

Christopher caps a six week romance to a visiting gastroenterologist named Dr. Suzanne Bernstein Dr. Sue with a wedding. Olive notes that for all of her knowledge, Dr. Sue doesn't know a thing about flowers, one of Olive's remaining passions.

The Kittreidges have built Christopher a house which the couple envisions being filled with grandchildren. But Olive is torn apart by the loss of her son and sequesters herself in their bedroom during the reception. Olive and Christopher's relationship has been strenuous, and she questions whether she's been a good mother. Olive, on the edge of the bed, leans her face into her hands. She can almost not remember the first decade of Christopher's life, although some things she does remember and doesn't want to.

She tried teaching him to play the piano and he wouldn't play the notes right. It was how scared he was of her that made her go all wacky. But she loved him! She would like to say this to Suzanne. She would like to say, Listen, Dr.

Sue, deep down there is a thing inside me, and sometimes it swells up like the head of a squid and shoots blackness through me. I haven't wanted it to be this way, but so help me, I have loved my son. In the fifth chapter, "Starving," Harmon Newton is also drawn to the vitality of a young couple, a boy named Tim working at the sawmill for the summer and his ragamuffin girlfriend Nina, whom Tim met following Phish on tour. Harmon's house empty save his emotionally distant wife Bonnie, he's indulged in an affair with a young widow named Daisy Foster.

Harmon decides to return his relationship with Daisy to its platonic roots, which Daisy accepts with grace and the two remain good friends. The troubled Nina, an anorexic, loses her boyfriend and her lodging and is taken in by Daisy. When Olive Kitteridge drops by to collect for the Salvation Army, she is overpowered by how sick Nina is and joins Harmon and Daisy is trying to see the girl receives treatment.

You started to expect things at a certain age. Harmon knew that. You worried about heart attacks, cancer, the cough that turned into a ferocious pneumonia. You could even expect to have a kind of midlife crisis--but there was nothing to explain what he felt was happening to him, that he'd been put into a transparent plastic capsule that rose off the ground and was tossed and blown and shaken so fiercely that could not possibly his way back to the quotidian pleasures of his past life.

Desperately, he did not want this. And yet, after that morning at Daisy's, when Nina had cried, and Daisy had gotten on the phone, making arrangements for the parents to come and get her--after that morning, the sight of Bonnie made him feel cold.

I found a whole lot more going on beneath the surface here than harshness. Going back to John Steinbeck and why he's my favorite author and creator of my favorite novel, Strout infuses her novel not with self-satisfied language or false hope, but with storytelling, namely, a wonderful amount of wit and passion. For example: Olive had graduated magna cum laude from college. And Henry's mother had actually not liked that. Pauline had actually said something about magna cum laude girls being plain and not having much fun Well, Olive was not going to spoil this moment thinking of Pauline.

She finished up, washed her hands, and looked around as she stuck them under the dryer, thinking how the bathroom was huge, big enough to do surgery in. It was because of people in wheelchairs. Nowadays you got sued if you didn't build something big enough for a wheelchair, but she'd rather somebody just shoot her if it came to that.

Or: It has taken Marlene years to stop calling her Mrs. Kitteridge, which is what happens when you have people in school. And of course the opposite is true, which is that Olive continues to see half the town as kids, as she can still see Ed Bonney and Marlene Monroe as young schoolkids, falling in love, walking home day after day from school.

When they reached Crossbow Corners, they would stand and talk, and sometimes Olive would see them there as late as five o'clock, because Marlene had to go one way and Ed the other. Olive is a retired seventh grade math teacher; my mother is a retired fifth grade science teacher.

Olive is from Maine; my parents are from Texas. These are not soft people. Christopher has had a complicated relationship with his mother and made her cry; I have had the same experiences with my mother. Teachers can be authoritative and do not often accept that people won't do what they've decided would be best for them.

I identified with Henry, who could be in love with a tough, intelligent woman like Olive without suffering as she suffers. He irritates his wife incessantly and Olive even considers leaving him at one point, but comes to realize that she has no better friend in the world. This is such a powerful character.

What I valued in her was her honesty. This might be considered an affliction, but it is definitely not a weakness. The truth can be ugly. Strout understands that there are people like Henry Kitteridge who need to be helpful, building bridges and looking on the bright side but there are also people like Olive Kitteridge who'd rather be sick with misery at times but see things as they really are.

This power has made students wary of her, like they'd beware a witch. Certain kids exhibiting signs of anxiety in her class would likely find Mrs. Kitteridge starting at them and later, confiding to them that if they ever needed to talk to someone they could talk to her. Olive knows. The novel stops short at complete and total satisfaction with two stories I felt most removed from Olive Kitteridge and her world--"Criminal," in which a pyromaniac young woman reaches out of her loneliness to a catalogue company call center operator, and "Ship In a Bottle," in which an year-old watches her neurotic mother and older sister, jilted at the altar, bounce off each other.

These chapters struggled to hold my attention but coming late in the book, made me want to spend more time with Olive. I can't fault Strout for making her title character such a strong presence. I could feel Olive Kitteridge changing me while I was reading it. The novel makes me want to call or write my parents more than I do, even if it's to reiterate things I've said and that they already know.

This book makes me appreciate that as often as we hear not to take life for granted, there are consequences for this that can branch you off whatever trail you're on in life and take you to a wilderness you may not like when you get there. Strout explores these pathways with grace, beauty and an absolute ardor for life. Aug 23, David Putnam rated it it was ok. I tried. I really wanted to enjoy this book. The story is told in that hoovering distant voice and rarely comes down into scene so its hard drop into the story.

The title is Olive Kitteridge but the first chapter or section is about her husband. I try and read a Pulitzer prize winner every now and again hoping to find one of hidden gems like The Dog Soldier, or Lonesome Dove. Olive Kitteridge,f I just don't see the draw to this one. Aug 21, Debbie rated it it was amazing Shelves: all-time-favorites , favorite-short-stories , luscious-spines-live-in-my-bookcase , bookcase-of-faves-at-home , favorite-authors , family-drama , cool-chicks , best-readsthrough Oh yes, you bet I grabbed my pogo stick!

Damn straight I grabbed my pogo stick! It made my heart sing, my soul smile, my thoughts race. Every single sentence, beauteous. Emotion spilling out between the lines. This Olive, she gets under your skin bigtime.

And the writer? I bow to this literary genius! I could just sit here and gush all day long, but gush gets pretty boring. I loved the book; you get Oh yes, you bet I grabbed my pogo stick! I loved the book; you get it. So what makes this book, this author, so incredible? Every one of the characters is just a regular Joe who lives in a small, quiet town in Maine.

Strout lets them stay regular no big heroes or weirdos, really but at the same time she makes them interesting and intense. Here, I had no plans to go anywhere but into the next story. Strout is an expert head examiner.

Olive is tough to be around at first. She is wound tight. What Strout has done is made me actually LIKE Olive, which is no small feat, given that she seems like a massive bitch. After a while, I saw she could even be funny. Reading her stories seduced me to the point of addiction.

Almost like I was being hypnotized. Everything seemed frivolous but reading, absorbing these stories. She makes the most mundane event or conversation seem completely fascinating. People in these stories are full of regrets, longing, and sadness, mostly. There are all sorts of uncomfortable predicaments. Characters are full of shoulda woulda couldas. There are people who put their feet in their mouths and then try to take them out.

Ah, and the fallout from these outbursts. Public discomfort, shame. Two things that briefly threw me for a loop, but ended up being pluses: First, these are short stories; this is not a novel. Second, in the first few stories, Olive is not the star. At first I wanted more of her, and sooner. But I quickly realized that I sort of liked that she was being kept hidden for a while. It was cool to get these little glimpses of her from different angles before she made her grand appearance.

And it added some suspense—just who is this person named Olive Kitteridge? All super intense, all just amazing, all knocked my socks off. Strout inspires me to write, to find my own Olive Moments and fly with them. Little moments that at first pass by unnoticed or uncelebrated or unexamined, and that make me dig deep inside as I try assiduously to bring them to light.

All I can say is, read this--now! This Strout lady, oh she is amazing. I absolutely must watch the series again—like maybe tonight! View all 80 comments. Olive Kitteridge is of course a Pulitzer prize winner but that can be a good or a bad thing. This is a series of short stories bound together by the character of Olive. She sometimes appears briefly and sometimes features largely in the narratives.

As the reader we are obliged to formulate our own opinions of her character from the many ways she is viewed by the other characters in the stories I recently read My Name Is Lucy Barton and enjoyed Lucy so much I was predisposed to like Olive as well. As the reader we are obliged to formulate our own opinions of her character from the many ways she is viewed by the other characters in the stories.

Of course some of these opinions are not favourable especially those of her own son. For me she was an intriguing, intelligent woman who had little time for the shortcomings of others. She appeared to do her job as a school teacher well, and she certainly cared for her students particularly when they were in trouble of any kind. I really felt for her when she started to lose her own way towards the end of the book. This is a slow, quiet book, beautifully written and worth reading with your full attention.

I was totally absorbed by the little stories about marriages, families and loss. Definitely worth that Pulitzer and five stars from me. View all 18 comments. Jul 13, Karen rated it it was amazing. Just loved these stories Olive, what a character.. Looking forward to Olive, Again!! This was my third Elizabeth Strout book.. Every year I grow giddy with anticipation for the Pulitzer announcement.

Usually the awards are announced on the third Monday in April at the luxurious Columbia University library. This year the award ceremony was pushed off until May 4 and streamed online. The fact that I am not overly wowed by the new winners has given me impetus to focus on my annual Pulitzer c Every year I grow giddy with anticipation for the Pulitzer announcement. The fact that I am not overly wowed by the new winners has given me impetus to focus on my annual Pulitzer challenge.

Each year I try to read twenty winners across all platforms and have a stellar lineup put together for the rest of the year. So far, I had completed one winner for history and finally got to my first fiction winner of the year as part of a buddy read in two different groups.

On Pulitzer Award day, I finished Olive Kitteridge by Elizabeth Strout, a book of interlocking vignettes starting an unforgettable title character who I will savor for awhile. Olive and Henry Kitteridge are a retired couple who are looking forward to living out their older age in a renovated home that they worked on themselves.

They call Crosby, Maine home, and in this small quirky town, there is quite the cast of characters, although none is as outspoken, ahem opinionated, as Olive. Olive used to teach math at the local middle school, dispensing advice to generations of students of Crosby, and Henry worked for years as the town pharmacist.

Although no longer at the center of the workings of the town, Olive still makes her presence felt by all who know her on a daily basis, so much so that Strout has presented her story as a series of vignettes, not all of which focus directly on Olive. Strout has noted that if she wrote the story as one linear tale, then Olive might have appeared as too overwhelming to the peripheral characters who make Crosby the quirky small town that it is.

While Strout does her best to focus on other characters, Olive is the central point that holds the novel together. We find out that Olive and Henry have one son Christopher who is a podiatrist. Olive constructed Chris a beautiful home in Crosby not far from her so that he could care for his parents in his old age.

Olive also noted to Henry years earlier that most people marry people who remind them of their parents. A bossy lady who just as easily abhors Olive, the two women make for a battle of wills. While not as loud as Dr Sue, Ann is still opinionated, so much so that Olive can not stand her either. Choosing two loud women who Olive can not stand, Chris has essentially married his mother. It is little wonder that people in Crosby view Olive as opinionated and loud, and people in the town either love her or detest her.

Olive made her influence felt on the younger set in town because it is apparent that most of her peer group would rather avoid her. There is Kevin who she tries to talk out of suicide, Pam Howe, who she saves, and Julie, who Olive had a bigger influence on then she could have imagined. The story of Julie and Winnie and their unstable home life stands out for me, only because their mother is so loud and strange that she makes Olive look, for lack of a better word, normal.

It is quirky people like these who give Crosby its charm. We know that Bonnie does not like cinnamon donuts but her husband purchases one for her each week to hide an affair. In a small town, affairs and suicide attempts seem to be prevalent, making the reader wonder why as Strout uses detailed prose to describe Crosby as a seaside community full of luscious spring and fall blooms.

With foliage like this, it is easy to fall in love with Crosby, yet, perhaps, the local residents grow tired of isolation, become quirky, and choose to step outside of the box rather than leave town. Dual buddy reads gave me the opportunity to finally read her story, and it was a memorable one.

I believe this depiction of Olive merited the Pulitzer because she is an older woman who fills a room and does not slow down just because she is getting to a stage in life where most people are content to scale back on their endeavors. In retirement, Olive remains the outspoken woman who she has always been, dispensing advice to people whether they want it or not.

Love her or detest her, Olive is a heck of character, and in essence, there is a little of Olive in all of us. View all 14 comments. Plus, I was surprised to see that it is an actual Pulitzer Prize winner. I skipped over the blurb and dove right in as I often do.

The first fe 4. The first few chapters confused me. Where was Olive? And the number of characters were really ratcheting up—how was I to recall all these names? Once I resigned myself to a book of short stories rather than a novel, and Olive started appearing more and more, my interest kindled. And these short stories are amazingly good. The author really draws some fine personality profiles in a relatively few pages and each story is very satisfying for the most part, though a few are open-ended.

One other early hurdle was that Olive can really be unpleasant and hard to be around in the eyes of others. But Ms. I grew to deeply care for Olive. I believe the overall theme of the book is that one must not overlook and be grateful for the good things in life.

I really buy into this as I know in my own life if I stop and think of all the good things that have happened each and every day, I can really pile them high. Doing so gives me much more strength to endure the bad things. The book sends this powerful message that poor Olive does not really grasp until the end.

I am so eager to read the sequel, Olive Again, which is already coming up fast for me in the Libby app library queue. Visiting Olive again will be a real pleasure. I recommend Olive Kitteridge to everyone who has not yet read it. It is well written and gives off a real sense of place. It has captivating characters and a great message. Last, but not least, it was a joy to watch Olive still growing as she navigates her 70s.

Olive Kitteridge is opinionated, domineering, judgemental, interfering and needy. Her husband Henry is gentle, timid and kind. Their life in a small town in Maine is complex, sad, and seemingly incomplete. Olive spends most of her time bitter and sad. Their son spends his life hoping for an apology from at least one of his parents Olive Kitteridge is opinionated, domineering, judgemental, interfering and needy.

Their son spends his life hoping for an apology from at least one of his parents. The various personalities in the thirteen chapters of this book fade in comparison to Olive Kitteridge. The characters are somehow disarmingly charming as various adversities befall them, their misfortunes reach out and grab hold and pull another Crosby-dweller into the story for a peek into their life.

View all 41 comments. Nov 08, Dolors rated it really liked it Recommends it for: Those who stay afloat, regardless of life. Shelves: read-in She is the common thread that interweaves the prosaic lives, everyday tragedies and asphyxiating Zeitgeist of the townspeople of Crosby, a small town located in Maine, a place where the lives of others collide with the adjacent frontiers of oneself.

Olive Kitteridge is the result of a finely threaded gossamer of stories told by a cacophony of voices that bring Ollie , as her benevolent husband Henry calls her, to life through polyhedral perspectives of her complex personality, the interactions she has with other characters and the expectations they project on her.

And so Olive never achieves a stationary condition, she is incessantly eroded by a patchwork of inner and outer circumstances, direct and tangent relationships and the process of ageing that gradually transforms an archetypal anti-heroine into a conflicted woman, sometimes cruel, sometimes obstinate, but above all, flawed and very humane. Young people seeking death, rebellious teenagers, spiteful offspring, widows who ponder about the meaning of life, elderly couples rejuvenated by the possibility of a new love, marriages that last because of inertia, painful solitudes, unjustified acts of violence, a conglomerate of singular individuals that become iconic paradigms of life in an American town in modern times and the whirlpool of secrets underneath.

With highly polished and lucid language, not exempt of irony or biting humor, and making use of the third-person narrator, which provides the precise distance to observe the characters from the vantage point straddling clinical objectivity and psychological empathy, Elizabeth Strout masters the technique of creating a homogeneous atmosphere that brings together an apparently disperse plot delivered by way of unconnected stories.

And Olive, that familiar character that equally infuriates and charms the reader, personifies the grandiosity and desolation of daily existence and winks mischievously to the histrionic self that is hidden in each of us. Life is a strange, convoluted business and staying afloat, regardless of the inexorable passage of time that will escort all of us to the same ominous culmination, is a small act of bravery. Look how she wanted to live, look how she wanted to hold on. View all 69 comments.

Mar 31, Teresa rated it really liked it. Strout shows us the parts we don't know, what's behind the prickliness and the 'attitude. It's a rare writer who can embody a character so well. And the minor characters too -- they are all living, breathing people. More than one of these 'minor' characters are so well-drawn and intriguing that I wouldn't have minded knowing more about them.

Not all the stories are about Olive, though she 'appears' in all of them, if only peripherally. In three of the stories and they might be my favorites, though it's hard to pick a favorite other women one 'older,' the others young are the main characters, and Olive is just a thought in their heads.

In two of the heads, she is a scary presence, but the older sister of the one who is afraid of her remembers something Olive told her when she was Olive's student and it gives her the courage to change her life. In the first story about Olive's husband I marked a simile that I liked After finishing the last story, I reread the phrase.

I found it an interesting contrast with the last story, which is full of sunlit imagery. View all 26 comments. EXCERPT: For many years Henry Kitteridge was a pharmacist in the next town over, driving every morning on snowy roads, or rainy roads, or summertime roads, when the wild raspberries shot their new growth in brambles along the last section of town before he turned off to where the wider road led to the pharmacy. Retired now, he still wakes early and remembers how mornings used to be his favourite, as though the world were his secret, tires rumbling softly beneath him and the light emerging throug EXCERPT: For many years Henry Kitteridge was a pharmacist in the next town over, driving every morning on snowy roads, or rainy roads, or summertime roads, when the wild raspberries shot their new growth in brambles along the last section of town before he turned off to where the wider road led to the pharmacy.

Retired now, he still wakes early and remembers how mornings used to be his favourite, as though the world were his secret, tires rumbling softly beneath him and the light emerging through the early fog, the brief sight of the bay off to his right, then the pines, tall and slender, and almost always he rode with the window partly open because he loved the smell of the pines and the heavy salt air, and in the winter he loved the smell of the cold.

As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life—sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition—its conflicts, its tragedies and joys, and the endurance it requires.

If you think about where you live and the people you know, you will recognise many of the traits and personalities of Strout's characters. It may even help you to understand them a little better. Kitteridge has chronicled the small but important incidents in their lives, incidents that often precipitate a turning point, but remain unrecognised as such. Olive herself is not always likeable. She can be brusque and harsh in her judgements, yet she can also be kind, generous and understanding.

She is a 'smother mother,' which she vehemently denies, and one of my favourite scenes occurs after her son's wedding when she overhears her new daughter-in-law criticising the dress she was so proud of. She exacts her own revenge on her hapless and to be short-lived daughter-in-law. The stories themselves are short and deceptively quiet. There are no great revelations, very few dramas.

This is about people coping with their lot, their day to day lives, their decisions or lack of them. Strout takes a dissecting knife to our familiar world and places slivers of it under the microscope. We won't always like what we see, but she has produced a startlingly honest portrait of the people of a small town. She is widely known for her works in literary fiction and her descriptive characterization.

She was awarded the Pulitzer Prize for her novel Olive Kitteridge in All opinions expressed in this review are entirely my own personal opinions. For an explanation of my rating system please refer to my Goodreads. View all 32 comments.

Nov 26, Andy Marr rated it it was amazing. This was a beautiful book, with a wonderful ending. However, if you're reading the Kindle version of the book, it's worth noting that the book actually ends with the story 'River' - the chapter that follows it, 'Burgess Boys', is, in fact, offered as an introduction to Strout's novel, 'The Burgess Boys', though the publishers make no effort to make this distinction clear.

View all 8 comments. I think Elizabeth Strout must be the type of person who is less of the entertainment school of writing and more of the vitamins school of writing. But, I am left wondering what nutritional value I got out of this. Like, whoa, deep. The structure of the book is a bunch of different short stories that all somehow reference this one bitchy lady, Olive Kitteridge.

Maybe I am just not interested in her. She is the mean math teacher, controlling mother, self-absorbed wife, busybody neighbor. None of the ways this played out were particularly appalling, but they were not endearing either. She started out meh and stayed meh throughout.

I guess there is some reference in her character to the frigidness of New England towns, and I feel equally indifferent about that. But, okay, I did like this recurrent theme about not being afraid of our own hunger. The book probably explores desire, and the stories are probably all studies about human desire and how it expresses itself in different ways. This had alcoholism, anorexia, suicide, LOADS of adultery contemplation , runaways, food allergies, robbery, murder contemplation , and probably other topics like that.

Even the robbery is boring. I didn't hate it as much as it sounds like I did, but it would be a lie if I said I enjoyed it. There are all of these bloated similes, too, which are just painful. Everything was like the ocean waves ebbing and flowing, etc.

I listened to this on audio, and it was also meh. When I first looked at it, I was like, what the fuck is that? And it seemed kind of interesting and complex. Then I realized it was just a boring leaf. Then I gazed at my coffee and noticed on the table the leaves of the book pages like the leaves of the book of time-ime-ime-ime. When she would come back to the hunger thing, though, I liked that. It seems like a good point — not to be afraid of our own hunger.

View all 16 comments. Readers also enjoyed. Videos About This Book. More videos Short Stories. Literary Fiction. Book Club. Adult Fiction. About Elizabeth Strout. Elizabeth Strout. In she was awarded the Pulitzer Prize for her book Olive Kitteridge. Don't be selfish. Christopher, your friend needed a ride.

He's not my friend. He's trash! Why would he be my friend? Don't you ever use that word. Do you understand me? Well, you should be. What if he heard you? Ma, you slapped me. Good God, Christopher, the world has seen worse. Why are you nicer to the bad kids than you are to me?

Because you're my son. Poor you. Denise is bright. She's got a lot of good ideas. She's mousey, looks just like a mouse. Yeah, but a cute mouse. No one's cute who can't stand up straight. You know, her husband's a nice, young fellow.

I think we ought to have them over for supper. Doesn't mean I wanna cook for him. Sit up straight. You look like a thug in a pool hall. What if I do? What's it to you? Sit up. Let's just have a nice meal. She's the one who made me sit in the car for an hour with a smoker. He smokes like a chimney. Christopher: And he keeps the windows up. Olive: We took Kevin Coulson home.

Rachel's not leaving the house again. You have to watch what you give her, Henry. Believe me, Olive, I am. You can talk in front of me. I know Kevin's mom's a whack job. You do not call people whack jobs. Do you know what that is? Not really. Henry, are you nuts? What do you think was going on with my father?

I mean, she had her moods She was clinical, Henry. Christopher: What's depression? It's bad wiring, makes your nerves raw. Is that why you're so mean all the time? Your mother is not depressed. Yes, I am. Happy to have it. Goes with being smart. He might have it too. But you don't think I'm smart. You think I'm average. You are plenty complicated, Christopher.

Average is someone like Denise the mouse. Nothing wrong with that. Average people are happier, happy, happy, happy. You should try it sometime, Ollie. I can't, I'm too depressed. You're welcome. Here, let me show you out. Have a good day, Mrs. Thank you. You too. Merriman: Thank you. Denise: Jerry has some news to tell you. Jerry's been taking a night class in business.

I went to mass and prayed that I'd pass. Well, I think you passed because you studied hard. Oh, but I believe in prayer. Do you pray a lot, Jerry? I got another delivery. Oh, of course, off you go. Thank you for your help, Jerry. Yeah, sure. You're a very good influence on him. Oh, I'm just trying to get him to have a little bit more confidence in himself.

You know, his mother used to call him a dimwit. Oh, that's not right. My mother used to call me her skinny pencil. I eat like a bird. I think you're the perfect weight. Henry doesn't have an ounce of fat on him. He's all muscle. He was a football star. The cheerleaders had a cheer just for him. Let's go, Thibodeau! Henry: Oh, my goodness. Why he ever chose me Oh, no! No, none of that. Henry: Stop it. Henry and I drove out to his parents' farm and we dug potatoes. Henry put the lights on in his truck so we could see, and we were all out there with our spades, seeing what we could find.

It was like an Easter egg hunt. And every time he found a potato, he'd hold it up for me to see. Well, I was always told not to expect too much. Well, whoever told you that was wrong. No, you You enjoy it, Denise. I will. You know, I think it's about time for you and Henry - to come over for dinner. Olive would be delighted. Oh, there you are. Oh, I'm so glad you could make it.

Henry brought you some of his firewood. We were gonna bring you flowers, but we thought you'd like this better. It'll make the warmest fires you'll ever see. Henry K. Olive: You don't see warmth, you feel it, dear.

Oh, gosh, I guess you're right. Yeah, we all know what you mean. Come in, you two. Come on in. You, uh, you have a nice piece of land here. And we're planning to build on the other parcel, if Christopher decides to stay. We'll have a house by the bay. Denise: Aw, isn't that neat? Christopher, do you like to go out on the water? Christopher, answer, please.

No, not really. Olive: Rinse your plate, please. Olive: Henry, leave it. Olive: For God's sake. Uh, me and my buddy Tony are going hunting. It's off-season, isn't it? Yeah, but Tony got us a special license. He got this farmer to sign a thing saying the deer were eating his crops.

It's not really fair for the poor, little deer. Deer are pests. They're garden-killers. Do you hunt, Henry? Um, my father used to take me hunting. Yeah, you gotta And so I used to be able to smell the droppings and I could tell you if a deer was in heat.

Denise: Honey, can you do that? Smell a deer in heat? No, I usually just track by sight. Well, my Henry has eyes like a hawk. And apparently my Henry has a nose like a wolf. Henry T. Tony's an easygoing guy. I'm sure he'd be glad to have you along. I haven't shot a gun in years. I'd be so rusty Tony only hunts to get away from his wife, right? Yeah, well, she's a nagger. Denise: She only nags because he still acts like a teenager.

I never have to nag at you, honey, because you're a grownup. Yeah, but when you do, it's so cute. A fellow needs to let go every once in a while. Hops trains. Olive: Yeah. He disappears for weeks, comes back filthy dirty. I have to strip off his clothes and scrub him down. Denise: Oh, my gosh. Olive: Sure. My goodness. So I say to Marlene, "if you think I don't do enough, then make me a list, 'cause, frankly, I don't got a fucking clue what you want from me.

I said, "Are you sure? She just does this to test me. Tony, will you shut up? You're gonna scare off the deer. Yeah, okay. Uh, here we go. Did you find something, Henry? Yeah, fresh scat. You two take this spot. Oh, shit! Henry, you okay? I felt something here. All right, let me look. Let me look. Jesus almighty! Go get help. Oh, Jesus! Go get help! Shh, shh. Be calm.

Just be calm. All right, just be still. Look at me. Keep your eyes open. Tell Denise Stay with me. Come on, stay with me here. Oh, Henry. Stay with me, buddy. Oh, my God. Oh, sweet God. Denise: His last words to me were so ordinary. Why would he wanna talk about his truck if he knew he was dying?

He was in shock, Denise. He didn't know what he was saying. Denise: But still, wouldn't he want me to know that he loved me? If you need proof that you were loved, then Well, gosh. Kitteridge, I guess you're right! Hit me!

I have nothing else to offer you. Do what you have to do. An eye for an eye! I need to be punished! Man: Shut up, son. Shut up, son. Henry, take her somewhere. Come on, Denise. Denise, come on. All right, all right. People are never as helpless as they think they are. She doesn't even know how to drive a car. How in the hell can you grow up in Maine and not know how to drive a car? I don't know. You're not. Oh, God, here we go. Just don't let her strip the damn gears on the car.

Here you go. Wait, okay. You're okay. Just ease the brake. That's good. Yeah, yeah. On the road, stay on the You're doing good. There you go. I'm just so awful at this. You're doing fine. It takes practice. I hope I didn't hurt your car. Don't worry about it. You know, you should start this up every couple of days to keep it running.

Would you like to have these? Oh, no, no. No, you keep 'em, Denise. I'm just so tired. That's 'cause you don't eat. You're wasting away to skin and bones. I don't like to eat alone. Well, then you come to dinner. I don't wanna put Mrs. Kitteridge out. Oh, don't be silly. I wonder if Henry was ever gonna get tired of me.

No, never. Oh, he loved you so much. He'd get impatient if I took too long brushing my teeth. Well, you know, every couple gets annoyed with each other. But nothing about Henry ever annoyed me. No, no Denise: Thank you, Mrs. This looks delicious. I don't even know if it's delicious, but it'll fill you up. Christopher: Thanks, Mom. So how was school, son? It was all right. Henry: Just all right? That's what I said.

Uh, well, I have a story. Denise, you'll be interested in this. Marlene Bonney came in to pick up her prescription. How's she doing? The spots are all gone. So, anyway, while she was waiting, she was over by your card rack, and all of a sudden I heard a yelp.

I was like, "Goodness, Marlene, are you all right? Denise: I don't have anyone left to send cards to. Except my Aunt Jean. But she's blind. Henry: Oh. Go ahead and eat, Denise. I'm not very hungry. Well, you have to try. I know. Henry: Just one bite at a time. Henry: Open up. Ready for another? How about a potato?

I'm enjoying your stew, Mrs. Happy to hear it. You can clear your plate when you're done. You're doing fine, Denise. You are. Another bean for you. Olive: Warm night for a fire, isn't it? Uh, yeah. Their Henry's logs, so He knew his wood. Yeah, he did. She spending the night? Looks like she is, yeah. Give her a pillow so she doesn't drool on the couch.

Put your head up. Well, it's Denise's first day back, after three weeks, so I thought I'd do something to cheer her up. Don't just start cutting things pell-mell. What the hell's wrong with you? Why can't you allow me one simple act of kindness without making me feel like a sap?

I was looking forward to the blooms, Henry. It's been a long winter. It's been a long winter for everyone, Olive. You cut them already. Suit yourself. Henry: Morning, Denise. Oh, look at him! Look at his little face! Oh, it's easy, Denise. Oh, isn't he darling? Look at his tiny feet! Feel it. His little heart is beating so fast. I'm gonna call you Whiskers. I think he likes it. Do you? That's your new home. You like it?

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